The Manfrotto 244 Variable Friction Magic Arm is a fully articulated arm with 90° pivotable and 360° rotatable ends, and an elbow that rotates 360°. The knob allows partial loosening for safe and precise positioning of a light head or camera. It has 5/8" studs on ball joints at both ends with 3/8 and 1/4" female threads. Although it is supplied with a camera platform, it requires a Super Clamp or Base (available separately) for use.
Power your EOS DSLR camera with this LP-E6N Lithium-Ion Battery Pack from Canon. It is compatible with the LC-E6 and LC-E6E chargers, offers a capacity of 1865mAh, and has an output voltage of 7.2V. The battery is supplied with select cameras and offered here as a spare or replacement.
Bundled with a fabric honeycomb grid add-on that helps control the light spill spread by 40 degrees, and suitable for portraits, head shots, interviews, and fashion, the 34.8" Light Dome II from Aputure is a 16-sided modifier that offers quality of light options and wide compatibility with Aputure lights, as well as those of the many other manufacturers that use the popular Bowens front accessory mount. The structure of the Light Dome II is fortified by its 16 durable steel support rods, while its silver interior maximizes your light source's output. Its 24" depth produces a focused light with directional control that can be narrowed further for selective lighting with the included 40° fabric grid. Aputure provides a removable inner diffuser and both 1.5-stop and 2.5-stop front diffusers that you can use individually or all at once for softness and contrast options. The supplied gel filter holder also offers creative color options. Any way you use it, you'll find that the Light Dome II renders soft, flattering light with a wraparound quality and produces round, natural-looking catchlights in the eyes of your subject.
The Tilta Nucleus-M Wireless Lens Control` System features a 1000' transmission range, and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips—one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, which enables you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.
With its large, bright color-accurate 19" LCD screen and 4K recording capabilities, the Atomos Sumo 19" HDR/High Brightness Monitor Recorder/Switcher can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats.
The 7.2 VDC, 2280mAh NP-FZ100 Rechargeable Lithium-Ion Battery from Sony is a high-capacity Z-series power source for select digital cameras. This battery has InfoLITHIUM support for displaying the remaining charge of the battery on the camera's LCD screen.
The Glidecam 4000 Pro is a hand-held camcorder stabilizing system designed for cameras weighing from 4 to 10 pounds. -Central Support Post: 1" diameter -Weight: 3.00 pounds without counter weight discs. -The Glidecam 4000 Pro includes 20 counter weight discs. -Camera Plate has 1/4" and 3/8" mounting slots
The Sony NEX-FS700R Super 35 Camcorder with 18-200mm f/3.5-6.3 Lens is an update to Sony's NEX-FS700U that enables 4K/2K 12-bit RAW output, S-Log2 recording capabilities, and features a Sony 18-200mm f/3.5-6.3 PZ OSS E-mount lens. The NEX-FS700R retains all the features of the NEX-FS700U, including the native 4K sensor, Super Slow Motion recording, built-in ND filters, and CineGamma curves. 4K/2K RAW is recorded to the Sony AXS-R5 Recorder via the HXR-IFR5 Interface Unit, or to compatible third party recorders such as Convergent Design's Odyssey 7Q via the 3G/HD-SDI output. The HXR-IFR5 Interface Unit and external recorders are sold separately.
The SliderPlus X Camera Slider from edelkrone is a long slider with a safety lock used for heavy setups on the ground or on a tripod. This slider features built-in foldable legs which allow you to adjust each leg independently depending on the terrain, or fold them up for easy storage. A set of two fabric belts and a set of two motion control belts are included with magnetic clips attached to each end of the belts. The magnetic snap-on belt clips allow you to replace the belts whenever you need, and the tripod-mounting wheel allows you to place the slider over the tripod and rotate the wheel to tighten it.
The LEDPRO X6 On-camera LED Light is a flexible and lightweight source of illumination that gives you a variety of options when you need to brighten a scene. The unit's 63 super-white LEDs provide bright, daylight-balanced light outdoors, or if you need to match interior lighting, a swing-away correction filter gives you the necessary tungsten balance. A built-in dimmer allows for smooth modulation of brightness level, while two swiveling barndoors take care of light spilling into areas it isn't needed. Powered by four AA batteries, the X6, like all LEDs, never gets hot to the touch. With its bright, controllable beam, tilting head, and standard shoe mount, this affordable on-camera unit is indispensable to producing clean, colorful HD video and stills.
The ultra-compact Sennheiser AVX-MKE2 SET provides professional videographers, video journalists, or vloggers with a dependable wireless microphone system that's so easy to use, it's like having a dedicated sound engineer on set handling audio tasks.
Easily mount your camera onto a tripod via the Sony VCT-U14 Tripod Adapter using the Tilta 15mm Quick Release Baseplate. The V-lock system on the underside of the baseplate locks firmly onto the Sony VCT-U14, which can then be mounted onto a tripod’s wedge plate. Alternatively, the baseplate’s quick release mechanism allows you to easily detach it
The Sony NP-FW50 Lithium-Ion Rechargeable Battery is unique in its design since it not only supplies power to your camera but will display the remaining battery capacity. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.
The SmallHD DP7-Pro LCD offers highly flexible 3D LUT support and an extensive set of monitoring tools, including scopes, and is designed with a multi hot key interface that allows for an efficient workflow. It features a 7" IPS LCD display with a 1280 x 800 HD resolution, 8-bit color depth, and 800:1 contrast ratio. Connections include HD-SDI and HDMI input and output, as well as a Hirose input that supports an optional SmallHD Component/Composite breakout cable. The monitor is super-tough, made with a reinforced milled aluminum housing capable of withstanding the pressure of a 4x4 truck running over it, yet it weighs only 1.2 lb.
The Feiyu AK4500 3-Axis Handheld Gimbal Stabilizer is a compact 3-axis gimbal stabilizer that improves on its predecessor, the AK4000, by supporting up to 10.1 lb loads. It's designed with an angled motor arm so there's nothing blocking your camera screen, and it provides 360° pan, 230° tilt, and 360° roll motion.
Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.
With the ability to capture 4K at 30 fps (4K30), the GoPro HERO4 Black allows you to move beyond HD when recording POV style footage either wearing the camera or mounting it in a number of creative ways. On top of 4K, the camera shoots 2.7K at up to 60 fps, Full HD (1080p) at up to 120 fps for high definition slow motion, WVGA (848 x 480) for upload-friendly files, and more. Plus, with the SuperView mode enabled, the camera maximizes its sensor area to give you an ultra-wide angle of view to enhance the POV feel of footage while encompassing as much of the scene as possible. The HERO4 Black's capabilities don't end with video, though. It can take 12-megapixel stills as individual shots, in intervals for stitching together time-lapse movies, or in momentary bursts of up to 30 photos per second - the latter helping ensure you catch fast action at just the right moment
A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS II USM is an L-series telephoto zoom characterized by its bright f/2.8 constant maximum aperture and optical image stabilization. The fast maximum aperture affords greater control over depth of field and benefits working in low-light conditions while the Image Stabilizer compensates for four stops of camera shake for sharper handheld shooting. As an L-series lens, this 70-200mm also features a sophisticated optical design that uses five ultra-low dispersion elements and one fluorite element to reduce color fringing and chromatic aberrations for improved clarity. Also, a Super Spectra coating has been applied to help reduce lens flare and ghosting for greater contrast and color neutrality. Complementing its optical assets, this 70-200mm f/2.8 also sports a ring-type USM and internal focusing mechanism for quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions and it has a removable rotating tripod collar to benefit working atop a tripod or monopod.
The 526-1 Fluid Video Head with 545GB Tripod & Carrying Bag Kit from Manfrotto bundles the 526-1 Fluid Head with the 545GB Pro Aluminum Tripod, a floor spreader, and a soft carrying bag. The 526-1 Fluid Head features the 357PLV-1 Sliding Plate with secure, two-screw mounting and includes both 1/4"-20 and 3/8"-16 screws.
The MTF Services Ltd Nikon G to EX3 Lens Adaptor is a simple coupling adapter for your Nikon G lens. It allows manual adjustment of the lens aperture, and is also compatible with all Nikon lenses, including the DX series. In addition, the adapter introduces a magnification factor of 5.4x with standard lenses and 3.625x with DX lens.
The ultra-compact Sennheiser AVX-835 SET provides professional videographers, video journalists, or vloggers with a dependable wireless microphone system that's so easy to use, it's like having a dedicated sound engineer on set handling audio tasks.
The PMW-EX3 follows on from the successful launch of the new PMW-EX1 and offers all the great features of the PMW-EX1 in a new semi-shoulder design. In addition to this new design the camcorder also features an interchangeable lens system, genlock, timecode and remote control capability for real added flexibility, offering a low-cost HD studio solution. The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable.
Designed as a complete, high-grade microphone setup for location recording in demanding film work, broadcasting, electronic news gathering (ENG), and field production applications, this eliminates the guesswork in configuring a shotgun microphone system that delivers pristine quality and low noise for a variety of challenging recording environments.
1:1 SDI/HDMI Transceiver Set： 1x unit transmitter 1x unit receiver 8x 5GHz Vaxis sword antennas 1x 7“Articulating magic arm 1x SDI cable 2x DC convert cable (LEMO 2 pin-male to D-Type*receptacle) 1x User manual
The Tilta ES-T05 Camera Rig is designed for use with the Sony FS700 camera. It is made using precision machined anodized aluminum. It comes with a top handle with 15mm rod adapter, FS700 Armor Cage, 15mm LSW baseplate, 5 and 10" dovetail baseplates, and hot shoe adapter. The rig also includes 15mm rod pairs and a pair of 15mm rod extensions. Precision machined anodized aluminum Top handle with 15mm rod adapter FS700 Armor Cage 15mm LSW baseplate 5 and 10" dovetail baseplates Hot shoe adapter Includes 15mm rod pairs (100 / 200 / 300 mm) Pair of 15mm rod extensions
With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a "cage-free" design, indicating the ability to secure various accessories directly to the camera body.
Created for full-frame Sony E-mount mirrorless cameras, the Sigma 14-24mm f/2.8 DG DN Art Lens provides a versatile range of wide-angle focal lengths with excellent image quality while optimizing size and weight. An Art-series zoom, this lens is also distinguished by its fast f/2.8 constant maximum aperture to suit working in available lighting conditions. Featuring a sophisticated optical design, a series of low dispersion and aspherical elements is used to minimize both chromatic and spherical aberrations throughout the zoom range in order to achieve high sharpness, clarity, and color accuracy. A Super Multi-Layer Coating combined with a Nano Porous Coating also helps to suppress lens flare and ghosting to a greater degree than conventional anti-reflective coatings. This helps to more effectively produce color-accuracy and contrast-rich imagery in a variety of lighting conditions.
The Manfrotto 2915 Super Clamp is made of lightweight cast alloy. The Super Clamp is a very versatile tool and it holds just about anything: cameras, lights, umbrellas, hooks, shelves, plate glass, cross bars, even other Super Clamps.
The Metabones adapter offers Sony E-mount users the ability to mount Canon EF/EF-S lenses to their Sony E-mount camera.
Characterized by a revamped optical design, the EF 16-35mm f/2.8L III USM from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. Featuring a series of specialized elements, this lens utilizes a trio of aspherical elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity. Both SWC and ASC coatings have also been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Complementing its optical prowess, a ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus performance, which is further benefitted by full-time manual focus operation and an internal focusing design. The lens is both water and dust-resistant, and fluorine coatings have also been applied to the front and rear elements to protect against fingerprints and smudges from affecting image quality.
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.
The MTF Services Ltd Sony E-Mount allows you to attach any Nikon-mounted lens to cameras such as the Sony NEX-3, NEX-5, NEX-VG10, NEX-VG20, and the Sony NEX FS-100, a7s, a7sII, a7r, and a7r II cameras. It is compatible with DX and 35mm format lenses and also supports lenses with or without aperture rings.
- 5-Inch LCD WVGA (800x480) for easier viewing of video & stills - Peaking support for precise focusing - Tiltable up to 90 degree with supplied adapter - Swivel up to 360 degree for superior flexibility - Headphone jack for audio monitoring
Designed with the familiar monolight form factor, intuitive design, and solid core features, the 200x Bi-Color LED Light from Amaran is a 200W light source with variable color from 2700 to 6500K and a CRI/TLCI rating of 95/96 to indicate advanced accuracy in color rendering. The light is dimmable from 0 to 100%, and while you can make these adjustments locally on the fixture, you can also make them via Bluetooth with your smartphone and a free app. The 200x has eight built-in customizable effects, an umbrella mount, and a Bowens reflector mount for access to Amaran light shapers as well as those from other manufacturers that use this popular mount. The 200x is ready for worldwide use via its built-in 100-240V power supply, but it will also run on optional batteries when AC power is unavailable.
The Ronin-MX from DJI is dual-use gimbal suitable both for mounting on the Matrice 600 aerial platform as well as deployment closer to the ground. Improving over the Ronin-M, it features magnesium construction to yield high rigidity while keeping the weight down. The gimbal is suitable for cinema cameras, mirrorless cameras, and DSLRs weighing up to 10 pounds. Out of the box it supports two-operator operation and includes a radio controller (transmitter) for the camera operator. There is also an optional Thumb Controller (available separately) for solo operation. When installed on the Matrice 600 aircraft, the gimbal can be controlled via the DJI GO app. An included universal mounting adapter allows it to be adapted for use with jibs, car mounts, and various other types of camera support equipment. There is also a handlebar for handheld use.
The Sachtler 0473A Tripod System with FSB 6 Fluid Head, Aluminum Legs, and Mid-Level Spreader is a full tripod system for videographers who use cameras and accessories up to 17.6 pounds. The FSB 6 fluid head is suitable for larger DSLR and mirrorless MFT cameras, as well as smaller digital cine cameras. It uses Sachtler's Sideload mechanism that offers the convenience of a touch-and-go system, with 4.7" of balance adjustment. The fluid head features 10 steps of counterbalance plus 0 and three steps of pan and tilt drag adjustment, plus a zero drag option for pan and tilt. The legs can support up to 44 pounds, which easily handles the weight of the head, your camera, and accessories. Each leg is individually adjustable, providing a stable platform, even when working on uneven terrain. The included mid-level spreader allows you to work on uneven terrain, while the included rubber feet provide a firm grip on hard surfaces. The padded carry bag holds the tripod system fully assembled with the head mounted on the legs.
The MTF Services Ltd PL to Sony E Lens Mount Adapter allows you to connect 35mm PL lenses to Sony cameras. When attached to the lens, it adds a magnification factor of 1.11x. It is compatible with the Sony NEX-3, NEX-5, NEX-VG10, and NEX-FS100 cameras. - Allows you to connect 35mm PL lenses to Sony cameras - Offers a magnification factor of 1.11x - Covers Super 35 sensors only
Designed for high-end cinema and video production, the RED WEAPON DSMC2 cinema camera features the DRAGON 6K Super-35 CMOS sensor and REDCODE RAW imaging pipeline. Shooting in 6K gives the production an edge in the post process, even in 4K deliverables, as shots can be re-framed in your NLE while keeping the material at 4K resolutions, or greater. VFX artists can also benefit from the extra resolution information.
Encased in a compact, brick-like enclosure, Anton Bauer's Cine 90 VM Battery is designed to fit on run-and-gun and built-up cinema rigs. Based on a V-mount, Cine 90 VM batteries will charge in Anton-Bauer V-mount chargers. The low-profile industrial design blends with the aesthetic conventions of modern cinema cameras, while also being easy to store when not in use. Inside the battery, individual cell activity monitoring prevents cell failure from over-current and excessive temperatures. And in the case of extreme impact or thermal damage, Fuse Link technology provides protection to nearby cells, thereby preventing consecutive cell ruptures. Cine 90 VM batteries feature an LCD screen which displays battery capacity in run-time when power is being drawn or in percentage when there is no draw. Between the V-mount and the P-tap accessory output, the Cine 90 VM battery supports up to 12 amps of continuous power draw, and with its 90 watt-hour capacity, it's great for power-hungry cinema cameras, lights, and accessories